By David Drucker
Our patio with the most snow we’ve ever seen on it
You always assume that things will turn out as planned, but sometimes they don’t. Pam and I had all but packed our suitcases earlier in the week for a trip to visit with my brother and his family in Seattle, as well as my parents, who were going to be visiting from Baltimore. Mother Nature had other ideas.
The fact that Canada is enjoying the first coast-to-coast ‘White Christmas’ in 40 years is not lost on me, and it is pretty out there. Pam and I had a nice time walking in the first of the snowstorms, and it looks like storm number three, which started last night, will dump nearly as much on us.
The car is not ready to drive on these kinds of roads. We don’t have any snow tires, as we don’t drive that much to begin with and neither of us use it to get to a workplace (unlike the days when I was working in Burnaby for IBM). Snow tires are not usually needed here.
So, here we are, like hibernating bears in our cave, looking out at the snow. Well, not exactly like bears in one key respect: Hibernating bears don’t eat, and I’ve been cooking like crazy. I roasted a chicken stuffed with herbs and lemon (an old Jamie Oliver recipe that I’ve committed to memory), and yesterday did a large pot roast with carrots, parsnips, turnips and potatoes. This afternoon I baked a tray of oatmeal muffins (after also baking a bunch of cookies earlier in the week). We’ve also got some steaks in the freezer, and since Granville Market is closed for the next 2 days, we’ll probably eat those as well, along with some of other food in our larder, which we stuffed full just in case the weather did get worse.
The other thing I did, which I do nearly every year, was watch Frank Capra’s movie “It’s a Wonderful Life”. For me, it transcends movie making to become a piece of art, the same way that some Norman Rockwell illustrations do. I keep finding new details in it, the way you do with any great piece of storytelling or music. There’s always some little motif or passage here or there that after the 10th hearing/viewing you suddenly realize is referred to or echoed in some other place. Capra’s film also has a lot more resonance now, when the news reports from the States earlier in the evening eerily echoed (or presaged?) the talk in the movie of people being foreclosed on their homes because of not being able to pay mortgages, runs on banks and acts of charity. How many people might be, this evening, needing to draw upon charity for the first time in their lives, the way that George Bailey had to?
I noticed that a week or so again, Wendell Jamieson of The New York Times wrote a fascinating reassessment of the film, and actually found it to be essentially a big fat lie, something that he first suspected when he was shown the film at school when he was 15 year’s old:
“It’s a Wonderful Life” is a terrifying, asphyxiating story about growing up and relinquishing your dreams, of seeing your father driven to the grave before his time, of living among bitter, small-minded people. It is a story of being trapped, of compromising, of watching others move ahead and away, of becoming so filled with rage that you verbally abuse your children, their teacher and your oppressively perfect wife. It is also a nightmare account of an endless home renovation.
Holy Cow! Believe it or not, his opinion of the film’s messages actually gets harsher still:
Many are pulling the movie out of the archives lately because of its prescience on the perils of trusting bankers. I’ve found, after repeated viewings, that the film turns upside down and inside out, and some glaring — and often funny — flaws become apparent. These flaws have somehow deepened my affection for it over the years. Take the extended sequence in which George Bailey (James Stewart), having repeatedly tried and failed to escape Bedford Falls, N.Y., sees what it would be like had he never been born. The bucolic small town is replaced by a smoky, nightclub-filled, boogie-woogie-driven haven for showgirls and gamblers, who spill raucously out into the crowded sidewalks on Christmas Eve. It’s been renamed Pottersville, after the villainous Mr. Potter, Lionel Barrymore’s scheming financier.
Here’s the thing about Pottersville that struck me when I was 15: It looks like much more fun than stultifying Bedford Falls — the women are hot, the music swings, and the fun times go on all night. If anything, Pottersville captures just the type of excitement George had long been seeking.
…
Not only is Pottersville cooler and more fun than Bedford Falls, it also would have had a much, much stronger future. Think about it: In one scene George helps bring manufacturing to Bedford Falls. But since the era of “It’s a Wonderful Life” manufacturing in upstate New York has suffered terribly.
On the other hand, Pottersville, with its nightclubs and gambling halls, would almost certainly be in much better financial shape today. It might well be thriving.
I checked my theory with the oft-quoted Mitchell L. Moss, a professor of urban policy at New York University, and he agreed, pointing out that, of all the upstate counties, the only one that has seen growth in recent years has been Saratoga.
“The reason is that it is a resort, and it has built an economy around that,” he said. “Meanwhile the great industrial cities have declined terrifically. Look at Connecticut: where is the growth? It’s in casinos; they are constantly expanding.”
In New York, Mr. Moss added, Gov. David A. Paterson “is under enormous pressure to allow gambling upstate because of the economic problems.”
“We ease up on our lot of cultural behaviors in a depression,” he said.
What a grim thought: Had George Bailey never been born, the people in his town might very well be better off today.
Well, I’m not sure that the raunchy Vegas-like Pottersville is any better than the Biff Tannen’s alternate Universe town of Hill Valley (which doesn’t get a rename, despite the similar bizzaro treatment) in Back to the Future II. I’ll bet that a few choice grotesque zooms on the landscape of Pottersville would have horrified the rest of us as much as it did George Bailey rather than thrill him that that his town was less boring with him not in it. Capra perhaps didn’t want to hit us over the head with the message, so it didn’t escape the 15-year old Mr. Jamieson’s cynicism.
Anyway, apt or not, I still find it a great piece of storytelling, even if it teaches us all the wrong things. Jamieson is not alone in his disdain for the film. Besides the fact that the movie was considered a financial flop (too expensive to make, didn’t make back what it cost), Charles Affron on filmreference.com says:
The impetus and structure of It’s a Wonderful Life recall the familiar model of Capra’s pre-war successes. Mr. Deeds Goes to Town, Mr. Smith Goes to Washington and Meet John Doe. In each of these films, the hero represents a civic ideal and is opposed by the forces of corruption. His identity, at some point misperceived, is finally acclaimed by the community at large. The pattern receives perhaps its darkest treatment in It’s a Wonderful Life. The film’s conventions and dramatic conceits are misleading. An idyllic representation of small-town America, a guardian angel named Clarence and a Christmas Eve apotheosis seem to justify the film’s perennial screenings during the holiday season. These are the signs of the ingenuous optimism for which Capra is so often reproached. Yet they function in the same way “happy endings” do in Moliere, where the artifice of perfect resolution is in ironic disproportion to the realities of human nature at the core of the plays.
Maybe I should have just watched Rudolph the Red Nosed Reindeer instead.
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